Chameleon Pyramids

The Chameleon Pyramids Story

 

Chameleons

 

The naming of the Chameleon Pyramids has a great deal to do with the species of chameleons. You will read much more about this in this article. If you are interested in a description of chameleons and a unique photo library of the species, click here.  

 

Bearcloud's Vision

 

In 1999, Bearcloud had a vision when he saw a formation that appeared at West Kennett,

Long Barrow in Avebury, England on August 4, 1999. At first the formation took on the

appearance of fractaling squares.  This Starglyph found its way into the world of many

researchers.  It left a mystifying mark with all involved.  Mathematicians at the time suggested

there was no relevance to these fractaling squares mathematically speaking.  There seemed to be nothing to the Starglyph.  It has remained mystifying with its unknown geometry, to this

current date.  Recently in 2007, Bearcloud made startling important discoveries about the

geometry that had lain dormant, hidden within it for the eight years.  This Starglyph was

ultimately the instigator of the concepts of the Chameleon Project.  So after Bearcloud had

this vision about this Starglyph, he tells the story this way:

 

The Chameleon Pyramids

 

West Kennett Crop Circle Formation

 

When I first saw the fractaling squares of the West Kennett formation, not only was I awed by

its beauty; as I looked at it for the first time, a vision began to approach my path. 

 

A bird's eye view of interlocking pyramids came to mind as I looked at the way the crops had

been laid upon the field.  As I saw this, I at once felt certain that such pyramids actually exist some where in the universe.  I tried to look more deeply into the vision, and I began to feel overwhelmingly compelled to paint what I saw and felt about the nature of these pyramids.  Immediately, as I decided to attempt to paint what I had seen in a somewhat nebulous vision, I began to see staggering visual details about these pyramids.  It was almost as if someone had sensed my willingness to communicate and so began helping me to see more clearly.  Of course I cannot validate my vision as truth, but as with many of the notions that have crossed my path in regard to the Star Nation People, I can say only that it felt like a truth.

 

The series of fractaling squares refers to a family of seventeen interconnected pyramids, built by an ancient civilization on another planet in our universe.  The pyramids are so incomprehensibly vast and beautiful as to mystify the inhabitants of their world, much like we on earth have been mystified by our own pyramids at Giza.  The twelve smallest pyramids in the formation are slightly smaller than the Great Pyramid at Giza.  The entire complex is about a mile from one corner to another as I see it in my vision, and all were created simultaneously from the ground upward, interlocked together.  Each pyramid is connected to another, but if one were to go inside, no columns or supports would be seen at the places of intersection.  The pyramids merge with one another as though through mere agreement, needless of physical supports, and though there appear to be seventeen of them, they connect to form one unified structure.

 

Perhaps the most astounding aspect of the pyramid complex is the substance of which it is made. The pyramids are built of a stone I might name "chameleon stone," if it existed on earth because of its tendency to reflect its surroundings.  A mirror can reflect the appearance of its surroundings. This stone however, reflects and even seems to understand the entire being and essence of its surroundings.  If one were to stand before the stone, it would reflect, through color, the absolute truth of that person's being in a way that would leave no room for confusion or ignorance.  For such reasons, it is a place to which people travel from all over the universe in search of understanding and awareness.  Because of the reflective nature of the stone, it can seem to disappear or become almost invisible, or it may look to passers by like an apparition, or still, one may even fail to notice it.  I did a quick oil sketch to preserve the image.

 

Chameleon Pyramids

 

As one approaches the doorway to the central pyramid, he or she may look up from a distance

to see a distinctive emblem upon its lintel, an emblem that appeared in the fields at Silbury last year. When initially I saw the formation etched into the fields, I felt certain that it was an emblem of some sort, but was not able to place it.  In my vision of the seventeen interconnected pyramids, the emblem found its home.  What is particularly interesting is that the pyramids at Giza include an emblem that is strikingly similar.  

 

The last aspect of the vision of the pyramids was given to me as I sought to look inside this sacred place.  In the center of the main or parent pyramid is a giant sphere of light.  Light emanates from the sphere as flames break from a fire, only slowly and hypnotically, as if suspended in liquid in a membrane, eventually dissipating into the air.

 

Chameleon Pyramid Doorway

 

I believe there to be multiple pyramid structures throughout the worlds of our universe.  I suspect that the sublime structure that appeared to me in vision and which I have described above, may indeed be the parent structure to all the pyramids in the universe.

 

Back to the Chameleon Project Beginnings~

 

Tibetan SandpaintingI had a feeling that one day I would do full sized detailed paintings of the structure, but when it was only a dream that sat on the distant horizon. Visions are nebulous and often come without a foundation of proof. It was soon after this vision, that the first element supporting it began to emerge.  As synchronicity would have it, I had been gifted a photo of a Tibetan sand painting from a friend who had spent 11 years in the monasteries of Tibet.  Within the sand painting are some T-shaped elements that sit in the four directions alongside the square's outer edge.  In the Hindu and Buddhist way of spirit, these are called doorways.  Native American sand paintings have similar images but are done differently.  These locations on the sand painting are where the spirits can move in and out to serve their purpose.  These same doorways are located in the Starglyph of West Kennett, Long Barrow. They are just the opposite or turned the other way from how the doorways are portrayed in the sand painting.  It has been noticed when these corresponding anomalies happen, that often times they are backwards.  In my vision I had seen this as the location of the entry door to the Chameleon Pyramid complex.  The sand painting seemed to support the vision, and in that moment, the vision of this being a doorway had unfolded in a strange and curious manner.

 

Pyramid Drawing

 

Drawing of Chameleon Pyramid Complex from Bearcloud's Vision


At the beginning of May 2005, an overwhelming feeling arose in me to begin the series of paintings of the Chameleon Pyramids.  It was an urge that had not risen with such force since it originally crossed my path.  I had recalled it on occasion, but the thought seemed to become more and more fleeting however, until it suddenly became paramount.  I began the series of paintings of the Chameleon Pyramids, working twelve hours a day on them.  My vision had expanded to encompass slightly more of the landscape than had come with the original vision.  It was stunningly beautiful and one of the most magical places in the Universe.  The first of the paintings encompasses all of the additional elements seen in this reoccurring vision.

 

Painting: "The Alignment" by Rod Bearcloud Berry

 

Painting 1~ "The Alignment"  

 

From this angle, the complex has 11 pyramids that are visible.  The name is derived from an anomaly that occurs surrounding the pyramid complex.  The Alignment occurs when this planet's 3 moons converge during their full state and form a sacred, upside-down, unseen pyramidal triangle, over the top of the Chameleon Pyramids.  It forms an hourglass and the light of these moons, like sand from an hourglass, pour into the pyramids below.  From there the light flows out across her eight legs and reaches to the four corners of the Universe.  The Alignment is a celestial timing for ceremonies and celebrations for beings from all over the Universe.  It is open to those who can travel there.
    
In this painting, there are three massive pillars that tower a mile into the sky.  One has waterfalls flowing from its crown.  These pillars are like great beings or guardians, holding the gifts of the stars.  In my vision, they had three names, Chalice Pedestals, Trident Pillars and Guardian Columns.  I had seen them as a place for ceremony.  When one is at the top it leaves one with the feeling that they are one with the universe.  A nebula floats in the night sky as some great spirit mingling with the stars.
    
There is a pool of water that has extraordinary reflective powers.  I had feelings of it being much more liquid than water.  Another unusual thing are the plants located in the vicinity. They have smooth, orange, angular stems.  On the tips are small blue flowers with a nodule about a half-inch across.  They appear to be made of dragon fly wings when looked at closely. The plant is covered with these flowers and can grow to be about three feet high.  At night they glow like fireflies and appear as if they were angels or spirits dancing on the desert floor.

 

Painting: "Seven Lodges of the Grandmother Star Spider" by Rod Bearcloud Berry

Painting 2~  "Seven Lodges of the Grandmother Star Spider" 

 

This title comes from a natural pattern on one of the moons that seems to have a glowing spider made of white light.  The moon in the native tradition is called the Grandmother, hence the title.  When the pyramid is viewed from the front, in its three dimensional form, another of its secrets emerge.  This is something that can only be known from this view and angle. As one faces it, there are seven pyramids visible.  Seven is the nature of man to possess everything necessary for one's journey.  Similar understandings are found in the seven sacred directions, and the seven chakras.  In biblical text, seven is considered to be an important number as well and is found throughout. 
    
"Seven Loadges" by Rod Bearcloud BerryThe person in the painting is wearing clothes resembling leather but the cloth is actually made from a single piece of a special plant.  In my vision this plant grew not far beyond the boundaries of the Chameleon Pyramids.  The staff he is holding has two special feathers similar to eagle feathers, honoring the Land of Two Eagles.  It has a band of 13 spheres that are tied to the staff, made from the glowing plants in the area. It can be said he carries the light of the understanding that is found in each of these sacred numbers.  His headdress expresses the balance between the circle and the square. There is a nature of the pyramids that can be seen as the Heyoka way (Thunder Spirit).  It is illustrated in the lightning bolts along the edge of its perimeter.  It carries the Thunder Spirit way.  These pyramids have 90% degree angles. 

 

The Red Pyramid, first Egyptian PyramidThe only pyramid on earth similar to these is the first one built, and is considered the first authentic pyramid.  It is made of stone rather than mud brick.  It is called the Red Pyramid and was built by Snefru.  It is the pyramid that possesses and reflects the most raw energy and highest potential.  It is the Earth pyramid. 

 

 

Painting: "The Chalice Pedestal of the Sleeping Bear" by Rod Bearcloud Berry

 

Painting 3 ~   "The Chalice Pedestal of the Sleeping Bear"

(Also known as "The Source," "Trident Pillars," the "Fingers of the Creator,"or the "Guardian

Columns")

 

This is an immense natural structure.  The column soars about a mile into the sky, possibly more.  It has seven waterfalls cascading from its top.  There is a path from its base in which one can traverse the falls by foot.  One can easily make it to its summit.  The pillars often can disappear into the clouds, coming out the tops, making it a spectacle to behold.  One can reach the top of all three pedestals.  It is said that there is a waterfall that pours from the outer edge of the summit where the falling water never reaches the ground.

 

Painting: "The Spiritualization of Matter" by Rod Bearcloud Berry

 

Painting 4 ~"The Spiritualization of Matter"

 

There was a formation that appeared near Silbury Hill.  As I was looking at the symbol one day, I kept seeing it as a patch on a uniform and on the side of a huge building similar to an airplane hanger.  Then as I was painting the first of the Chameleon Pyramids in the year 2000, I saw that this symbol was over the entrance of the Chameleon Pyramid doorway. 

 

Winged Circle in Egyptian TempleWinged Circle over Egyptian DoorwayI had never been involved or interested in Egyptology at that time, and the only thing I knew of pyramids was from the photos I had seen on the cover of books.  I told a friend about the symbol over the door and showed them a picture.  She said that she believed there was a similar symbol that existed somewhere in Egypt, perhaps in a temple.  A few weeks later, I received an etching from the 1600's showing a winged circle attached to columns.  I was surprised that such a thing even existed, and felt my vision was confirmed when I found out that this symbol existed in many temples, generally over doors.  
    
Pyramid DiagramTo make matters even stranger, a Starglyph appeared in East Wouldham, in July, 2000.  I discovered its geometry was dimensionally the same as the West Kennett formation. Because of these similarities, it suggested it could possibly be the side view of the formation, revealing the West Kennett Starglyph could be pyramidal in its three dimensional form.

 

Then a gift from the Universe fell into my lap. I had been working twelve hours a day for two months, in an effort to complete the series before my trip to England.  On July 3rd, I had looked to see if any recent formations had appeared.  I went to my computer and was stunned when I saw a formation had appeared that morning.  I really didn't know what to think because it is the Starglyph which contained the same sequence of squares from the West Kennett Starglyph, that had sent me on this vision to begin with.  I knew there were millions of geometric forms that could have appeared.  I had not shared my efforts to begin these sequences of paintings with anyone. 

 

Eastfield Eight Poined Star Crop CircleI had an overwhelming feeling the Star Nations were supporting my vision.  I was left somewhat mystified as to this entire occurrence.  It made me question why I had suddenly felt so compelled to begin the sequence of paintings and what was important about this moment?  Why did this Starglyph of the eight-pointed star appear at this moment in my favorite field? It seemed important, but winds of the answer eluded me.

 

When I returned home from my trip to England, I finished the two final paintings of the sequence.

 

 

 

 

 

Eastfield Starglyph

 

Painting: "Sacred Pools" by Rod Bearcloud Berry

 

Painting 5 ~ "Saced Pools"

 

This painting is a bird's eye view of the Chameleon Pyramid structure and the top surface of

the Challis Pedestal of the Sleeping Bear.  When one is sitting at the top, it feels as if it is only one's self and the universe.

 

Painting: "The Chameleon" by Rod Bearcloud Berry

 

Painting 6 ~ "The Chameleon"

 

There is a time when the Chameleon Pyramid aura produces fantastic colors.  It occurs at night during a lightning storm.  The energy of the atmosphere and lightning causes the pyramids to glow with incredible tones, because of the stone from which it is made.  Travelers will come from far reaches of the Universe to witness the display of fiery color and visual energies that drift from the structure.  It can illuminate the sky all around.  The guardian of such changing color is the chameleon.

 

Painting: "Cave of the Chameleon Pyramids" by Rod Bearcloud Berry